Can you see....

Friday, October 03, 2008

Lust for life

Based on a novel by Irving Stone, Lust for life follows the life and trepidations of Vincent Van Gogh, the genius Dutch post impressionist.

Although it is never possible to show a person’s life completely, the storyline makes a sincere attempt to portray the events which shaped Vincent.

A man tormented by heartbreaks and loneliness, art is the only thing which keeps him going. Highly erratic in his behavior, he finds love and support only from his younger sibling Theo.

Having already read about Vincent, never have I dreaded the reality so much, dreaded the end and the pain that follows. I was choked up all throughout the film. There is a Vincent in all of us, misunderstood, toiling with beliefs and principles, searching for the self and purpose. Tortured by self doubt, this genius seeks a deeper meaning through his art.

For the first time, I can see Vincent, not his thoughts, not his brush strokes, not his million dollar paintings, the yellow hues, but Vincent in flesh and blood. His agonies, his pain, his constant squabble with life itself. In his thirty seven years of living, he fervently paints life, peasant folk, emotions, hard work and toil.

The more he degrades himself, the better his art becomes, and this is the eternal irony of his life, which he eventually throws away himself. If only Vincent would ever know how he has shaped the face of modern art.

Not for a moment in the film does the actor Kirk Douglas make himself visible, just Vincent, his art and his lust for life.

Does one endure so much anguish in life to achieve genius, one can only wonder....

See Vincent’s brilliant work here.

Don Mclean has written a brilliant song as homage to Vincent Van Gogh called “Vincent” inspired by a painting called Starry Night. See it here.

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Sunday, April 06, 2008

The Sultans of Cinema

For all those who love Cinema, here is your chance to see some spectacular movies by some magnificent directors. Do not miss these films....

Zee Studio presents “Sultans of Cinema”.

10 directors, 26 brilliant films, 94 international awards.



The directors:

Kihachi Okamoto

Ingmar Bergman

Akira Kurosawa

Wong Kar-Wai

Jim Jarmusch

Wim Wenders

François Truffaut

Hiroshi Inagaki

Krzysztof Kieslowski

Pen-Ek Ratanaruang


The Films on Zee Studio:

End of Violence by Wim Wenders. Sunday April 06 2008, 3 pm.

Samurai by Hiroshi Inagaki. Sunday April 13 2008, 3 pm.

The Sword of Doom by Kihachi Okamoto. Sunday April 20 2008, 3 pm.

Summer Interlude by Ingmar Bergman. Sunday April 27 2008, 3 pm.


Summer with Monica by Ingmar Bergman. Sunday May 04 2008
, 3 pm.

Wild Strawberries by Ingmar Bergman. Sunday May 11 2008, 3 pm.

Through a Glass Darkly by Ingmar Bergman. Sunday May 18 2008, 3 pm.

The Silence by Ingmar Bergman. Sunday May 25 2008, 3 pm.


Seven Samurai by Akira Kurosawa. Sunday June 01 2008
, 3 pm.

The Throne of Blood by Akira Kurosawa. Sunday June 08 2008, 3 pm.

Yojimbo by Akira Kurosawa. Sunday June 15 2008, 3 pm.

High and Low by Akira Kurosawa. Sunday June 22 2008, 3 pm.

Red Beard by Akira Kurosawa. Sunday June 29 2008, 3 pm.


Shoot the Piano Player by François Truffaut. Sunday July 06 2008
, 3 pm.

The Soft Skin by François Truffaut. Sunday July 13 2008, 3 pm.

Bed and Board by François Truffaut. Sunday July 20 2008, 3 pm.

Two English Girls by François Truffaut. Sunday July 27 2008, 3 pm.


The Woman Next Door by François Truffaut. Sunday August 03 2008
, 3 pm.

Chunking Express by Wong Kar Wai. Sunday August 10 2008, 3 pm.

Fallen Angels by Wong Kar Wai. Sunday August 17 2008, 3 pm.

In the Mood for Love by Wong Kar Wai. Sunday August 24 2008, 3 pm.

Camera Buff by Krzysztof Kieslowski. Sunday August 31 2008, 3 pm.


Down by Law by Jim Jarmusch. Sunday September 07 2008
, 3 pm.

Dead Man by Jim Jarmusch. Sunday September 14 2008, 3 pm.

Coffee and Cigarettes by Jim Jarmusch. Sunday September 21 2008, 3 pm.

6IXTYNIN9 by Pen-Ek Ratanaruang. Sunday September 28 2008, 3 pm.


For more information visit Zee Studio presents “Sultans of Cinema

Watch them, and don’t forget to visit my blog for my views on these films, comments and discussions eagerly welcome....

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Monday, March 31, 2008

The Hurricane – the victim or victimizer?

This post is about feeling wronged, wronged by the power of media. No other medium affects the mind more than cinema. It manipulates your thoughts, blatantly pushes you to see things intended for the audience to see. As I have mentioned before, cinema is a form of self indulgence, it’s about putting forth a personal perspective to the multi dimensional world around. But can this personal perspective surpass fact and actuality?

The venerated director Jean Luc Godard said "The cinema is truth 24 frames per second." But do we realize that there is no absolute truth? Truth is true as long as you believe it is.

The reason for this grumbling is the film “The Hurricane”. Saw it last night, and it ran me through a roller coaster of emotions. From pity, sympathy to relief and joy, I had a new idol now. The film based on the true life of Rubin Hurricane Carter, the African American middleweight boxer, whose only fault was the colour of his skin. Wrongly accused and persecuted for homicide by racist white people, it is his battle against adversity. Denzel Washington excels as the wronged prize fighter. Good wins over bad, transcending colour and race.

In reality, Rubin Carter’s innocence or guilt is highly controversial. He had support from celebrities like world champion Muhammad Ali, Bob Dylan who wrote and performed ‘The Hurricane’. There are others who believe he is guilty of all three murders.

But what irks me most is the ability of film makers to conveniently exclude important facts and presenting the character in just one light. Subtle positive visual hints reinforce Carter’s heroic position, forcing the audience to feel offended by his penalty. If the film makers believed so strongly in his innocence, they should have shown all the facts with conviction.

Watch “The Hurricane” with a lump in your throat and a gush of relief for your hero, and then visit this website http://www.graphicwitness.com/carter/.

Cal Deal brilliantly provides the facts in a most non-racist, no-biased fashion.

"Hurricane Carter: The Other Side of the Story"

http://www.graphicwitness.com/carter

RACISM & the Carter Case:

http://www.graphicwitness.com/carter/racism.html

The Case Against Carter (Prosecutor's Brief):

http://www.graphicwitness.com/carter/sarokinresponse.html

Carters Criminal, Psychiatric & Military Record

http://www.graphicwitness.com/carter/threat.html

The Violent Side of Rubin Carter

http://www.graphicwitness.com/carter/character.html


So is Hurricane really a hero or a villain? I will leave the judgment to you...

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Wednesday, February 20, 2008

Lady in the Water

Lady in the Water by M Night Shyamalan was listed by Variety as one of the ten "biggest (financial) losers" of 2006. It was criticized and many thought it was Shyamalan’s self indulgence, his unique style of unveiling the essence of the film in the end, grossly missing from this one.

Cinema as an art form is self indulgence, a completely made up world of fantasy and childish wonder. Some concepts are convincing enough, others fail to connect, but they are brilliant ideas none the less. A film affects and influences people in numerous ways. Maybe that is the beauty of cinema.

If one were to take away the whimsical layer of fantasy, the underlying essence of the film is about change and the unseen connectedness between people. Every living being has a purpose, though one does not realize it. Story who is a narf (a nymph or a water faerie) is played by Bryce Dallas Howard says “Man thinks they are each alone in this world. It is not true. You are all connected. One act can one day affect all.” The prologue of film is done very tastefully, but maybe giving away the plot from the very beginning was the reason why the film did not appeal to the audiences. But it has to be seen for the message and the animation. See it here.

Personally, it was a feel good movie which always brings a happy tear in the end. Definitely worth a watch.

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